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» Fatal woman - what is she? Why you shouldn't cultivate a femme fatale in yourself if you are far from her image Description femme fatale.

Fatal woman - what is she? Why you shouldn't cultivate a femme fatale in yourself if you are far from her image Description femme fatale.

In modern society, there is an opinion that the femme fatale is synonymous with “razluchnitsa” and “mistress”, and her main goal is to seduce a strange man and certainly take him away from the family. Only in this way will she be able to feel like a real winner, leaving his already ex-wife with nothing.

It is no wonder that other representatives of the fair sex simply hate femme fatales. And they do not hide their emotions about this.

It sounds a little intimidating, but it is unlikely that femme fatales set themselves such mercantile tasks. It just doesn't make sense. The bottom line is that men are simply crazy about fatal beauties: they are fascinated by their demeanor, beauty, grace, looseness, passion, and therefore leave the family hearth.

A femme fatale knows how to play with men at ease. She does it very naturally, not looking back at those she has already managed to trample.

Do not think that she is a man. She just knows how to manipulate them, so she feels her power. She has not a shadow of a doubt about her own attractiveness, the ability to conquer with a gesture, a word, a look. Having met her once, a man completely loses his head and is unlikely to be able to love someone after her. Her bright image will always haunt him like a shadow.

Is it possible to become a femme fatale?

Surely, many girls would like to try on the image of a fatal beauty. That's quite possible. You just need to work hard on yourself.

First of all, it should be understood that a beautiful woman and a femme fatale are not the same thing. Of course, beauty is a valuable contribution, but you can become fatal, having a completely ordinary and even imperfect appearance.

A femme fatale knows that it is not appearance that makes her extraordinary, but self-confidence, inner charm, charisma. She knows her worth. All these qualities come from within.

In addition, the femme fatale rarely complains about life. She easily adapts to any situation. If the circumstances are not in her favor, she will try to somehow adapt to them. Always dissatisfied, offended by the whole world and herself, a young lady is unlikely to attract men to herself.

Also, the femme fatale is well versed in male psychology. She knows what is expected of her and how to present it in the best possible way.

To some extent, the femme fatale is like a vamp, but she is not cold or cruel. And knowing her closer, one can come to the conclusion that she is very kind, affectionate and even defenseless.

Such a woman has a great sense of humor and a light, philosophical attitude to life. She is smart, well educated, easy and comfortable with her. At the same time, she knows with what leverage men can be manipulated, but she does it imperceptibly and very naturally. You won't be able to resist.

Women's and men's worlds are fundamentally different from each other. Perhaps this is the reason for such a strong mutual attraction of the two sexes. Throughout life, these two worlds try to understand each other, but they still cannot do it perfectly.

The desire to be with a person of the opposite sex is filled with indescribable joy, happiness, and strong impressions. But sometimes sadness, melancholy, impotence, and even can be mixed with this. This applies to those cases when a person is unable to control his love feelings.

Fatal woman - what does it mean?

The image of a femme fatale is seen by men and women differently. However, they are united by the understanding of the fatal lady, as a woman who rules the life and actions of a man, absorbing part of his will.

A woman can become fatal for a particular man who is interesting to her and for whom she will be a kind of beacon, muse, direction in life. At the same time, she may not have any influence on other men.

However, there is another understanding of what a femme fatale means. This is a woman who likes many men, seduces them, leads them. Such women are not liked by other representatives of the opposite sex, who see them as rivals.

Who is a femme fatale according to men?

Describing the image of a femme fatale, men in the first place put such features of her:

  • beauty;
  • sexuality;
  • inaccessibility;
  • knows how to beckon;
  • the ability to influence men;
  • the ability to take an interest in oneself;
  • possession of the art of conquering the male will.

A femme fatale, according to men, should be strong, powerful, interesting, alluring, but at the same time never fully revealing herself. It should remain a mystery, some kind of understatement, which you will always want to unravel, understand, conquer.

femme fatale style

The femme fatale always stands out from the crowd. She is well-groomed and stylishly dressed. However, it is not the appearance that attracts male gazes. She conquers with her intellect, behavior, understanding of male psychology, sense of humor.

But the most important feature of such a woman is. She shows people around her that she values ​​herself highly and makes others think the same.

Psychologists say that the fatal woman for a man is often the woman who remains an inaccessible dream for him. Attractiveness and strong feelings do not have the necessary emotional outlet, which leads to a delay in emotions at a high point. Men remember such women, even after the expiration of time, as the most desirable and attractive.

She enters the hall, and men's faces, like sunflowers to the sun, involuntarily turn in her direction, their eyes follow her relentlessly. Dazzling beauty? No, if you look closely, you can't tell. Not bad, of course, but, in fact, nothing special. In appearance. But in the rest - in the manner of dressing, moving, smiling, speaking and even being silent, tilting your head slightly and squinting your eyes like that - something really special is felt in all this. Subtlely attractive, bewitching, mysterious. Blok's Stranger: "And her elastic silks breathe with ancient beliefs"...

There are no silks at all, but the feeling is the same. This is akin to hypnosis, visual hallucination. And sometimes auditory. Even if she does not say anything and, after politely listening to compliments, silently leaves the room, an echo will sound in it. Probably, the helpless hiss of envious women will also arise, but no one will hear it in the rustle of enthusiastic whispers of admirers.

What is her secret? Sexual attraction? Undoubtedly. But is this woman's cocktail dress more revealing than the setting requires? No way! Frank sexuality is appropriate in a cabaret and a strip club, in a show program, on the podium ... But here it is completely different. Here is the magic of personality, femininity itself, the female soul. And this sexual magnet affects men much more strongly than the entire sex industry in the world.

It is not the body that attracts - or rather, not only and not so much the body as the personality. The secret of the fatal woman is in the magnetism of her nature. Therefore, it is more correct to speak not about its “fatal” features (sometimes circumstances become fatal, although it would be better not to bring it to this, and a reasonable woman will try to prevent any fatal scenarios), but about magnetism. And this is not just a natural charm, which is inherent in many and also, of course, very attractive. Charm is not necessarily colored by sensuality, eroticism. And we are talking about sexual magnetism, about female magic. Blok's Stranger is extremely erotic. Symbolists, as you know, considered the world soul to be female and saw the secret of being in the riddle of eternal femininity. The reflection of this mystical eroticism gives special expressiveness and depth to female beauty.

One of the obligatory features of a magnetic personality is mystery, understatement. Proximity to this insoluble mystery of being, the mystery of eternal femininity, sometimes acts fatally, especially on young, fragile souls. What follies are committed in the name of fatal love! The symbolist poets who established the women's cult devoutly worshiped it and consciously stirred up passions, which usually did not lead to good. But the magnetic personality itself must be aware of its strength and adapt its power to the specifics of the "consumer" - otherwise the outcome may be the same as with an electric shock.

Hypnotic session

Portraits of women who went down in history under the sign of rock often cause bewilderment among contemporaries: their features are far from perfect, and many are more likely to be called ugly than beauties. Lilya Brik, who easily squeezed the giant Mayakovsky in her small fist, was short, stocky and bow-legged. The only decoration of her puffy face were her eyes - unusually lively and expressive. The confidence of a real Woman emanating from her, knowing her true price, not indicated by external labels, turned men into obedient slaves, happy with their slavery. Her inner freedom, not knowing the shackles of conventions and stereotypes, gave Lily freedom from the complexes that any other young lady with such a discreet appearance would inevitably acquire. Unlike the "gray mice", who, out of fear of once again drawing attention to their flaws, try to merge with the interior, Lilya dressed provocatively - for example, she was the first in Moscow to wear trousers. However, her whole life was no less extravagant than the manner of dressing.

The art of seduction

The canons of beauty change from era to era. In addition, as we could already see, it is not at all conformity to a certain "standard" that is the magnet that attracts men. From this we can draw an encouraging conclusion: even if not every woman can be considered a beauty, but every woman, regardless of her external data, can be seductive. It’s just that for some it turns out by itself (out of such rare specimens, endowed with an intuitive understanding of the secrets of attractiveness, outstanding, famous seductresses are obtained). Others have to master this art, step by step bringing it to perfection. And here, as in any craft, success depends on your abilities, multiplied by diligence.

To begin with, it would be nice to understand: what, in fact, is it - sex appeal? It has nothing to do with the banal desire to "look good." Hours spent at the beautician's and in the fitness club, shopping in the boutiques of the most fashionable firms - all this, of course, can delight friends or annoy envious women. But it is unlikely to help cause the desired reaction in men. It is much more important for them to feel that a woman really harbors true passion, that she "loves love", that she likes men! (Well, embittered-aggressive ladies who claim that "all men are theirs ..." cannot be sexy - after all, sending men literally, at the same time sending them a sexual appeal!) The main skill of a woman who wants not only to impress, but to cause to life, the main instinct should be the ability to non-verbally convey to a man his positive impulse directed at him.

A certain part of the brain is responsible for our sexuality (based on this, it would be fair to consider the brain as the most erogenous zone). It controls our facial expressions and gestures, sends those non-verbal signals that we give to the interlocutor - in particular, those very micro-signals that are difficult to notice at first glance, but which have the greatest impact on a man and which he perceives in the first place. It is they who in the first minutes of acquaintance are perceived first of all, according to them the location and sexuality of the counterpart is evaluated. And this despite the fact that from the outside, the behavior of a man and a woman can look impeccable, worthy of true ladies and gentlemen from high society.

Psychologists say that during the first communication, only 7 percent of the information is verbally transmitted. The rest comes from sensations derived from subtle movements and the exchange of unclassifiable fluids.

The translation of your fluids will be successful if you use "codings" that are understandable to a man - body language, a woman's scent, "light breathing" (see Bunin).

A beautiful woman is admired, a sexy woman is a desire. Of course, we are not talking about a literal readiness to immediately answer it (seductiveness is not at all a synonym for accessibility). Rather, it is about gambling with the ball, picked up by a partner who willingly makes a return pass. This game excites the blood and helps both to be in good shape: the man is encouraged by the "call" sent to him, the woman is an immediate response, confirming the effectiveness of her charms. And the more they endow each other with these same magical vibes, the more they themselves gain. An excellent dope to maintain sex appeal - and this is primarily your internal state, and not the combination of an expressive bust, a bold neckline and bright lipstick.

However, absolutely neglecting the external component of sex appeal is just as short-sighted as not recognizing the supremacy of its internal component. Here it is important to find that golden mean, which is equidistant from coldness and vulgarity. As Stendhal put it, a real woman should be a lady in the living room and a courtesan in bed. Therefore, while you are, figuratively speaking, "in the living room", you should not dress and act like a courtesan. Clothing, gait, voice timbre, facial expressions, gestures, your chosen perfume scent, emphasizing the graceful curve of your leg with a heel - all this will help enhance your attractiveness. And - importantly - tune in to the right wave. To radiate sexuality, it is enough for a Woman to know that today she has specially put on stockings with an elegant lace garter, and not to demonstrate them. If in the morning, getting ready for work, you prefer expensive silk underwear to "comfortable knitwear", your gait will probably change a little: lightness will increase so much that your readiness to ignore the law of gravity is guessed in it. Perhaps, of course, such an attitude will not have the most positive effect on your willingness to focus solely on work. But your boss will hardly be angry if you answer his remark in a slightly muffled voice, in which new, special modulations will be perceptible ... By the way, it would be nice for women who are improving in the art of seduction to “put their voices on”, taking a few lessons from stage teacher. It has been noticed that a high, excessively sonorous voice and hasty, "jumping" speech often irritate the opposite sex. Whereas lowering the timbre (sometimes even a slight hoarseness) and measured speech with expressive pauses have an exciting effect on men.

Sexual interest that has arisen is an ephemeral and fleeting thing. The expression of disposition towards a man, goodwill and trust will help to consolidate the effect. After all, according to psychologists, modern representatives of the stronger sex are very unsure of themselves, and therefore the slightest manifestation of aggression or even slight neglect can make them instantly retreat (the fear of being rejected, getting a blow to pride turns out to be stronger than the basic instinct). Encourage him by sending some easily decipherable signs indicating your desire to continue the game. To help beginners, here's an excerpt from Alan Pease's Body Language, which describes "the gestures and signals used by women to lure men":

Growing and nurturing your own sexuality, you not only take care of giving pleasure to the opposite sex - you first of all learn to be emotionally liberated, to be free in the manifestation of your feelings. Free enough to accept without offense the formula derived by Nietzsche: "The happiness of a man - I want. The happiness of a woman - he wants."

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wPMEE FPZP. lBTsDBS TsEOEIOB PVSBOB UFBFSH TPLCHPK. i LBTsDBS ZEOEYOB UFBOCHYMBUSH VSH TPLCHPK. OP, FP CHPURYFBOYE, LPFPTPE TSEOEEYOB RPMHYUBEF DPNB, CH YLPME, CH JOUFYFHFE - OBYUYUFP MYYBEF HCHETEOOPUFY EЈ LBL CH UCHPЈN HNE, FBL Y CH UCHPEK LTBUPFE. FP FBL Y EUFSH ABOUT UBNPN DEME. TSEOEYOB U UBNSHI TBOOYI UCHPYI MEF FPMSHLP Y UMSCHYF: DHTB, FHRYGB, DCHPEYUOYGB (LBL VHDFP EUFSH UFP-FP PVEEE NECDH PGEOLPK Y HNPN?), OEHNIIB, VEUFPMPYUSH, PMHI GBTS OEVEUOPZOGB? vPMEE FPZP, NOPZYI TSEOEYO U DEFUFCHB, RP TBOSCHN RTYUYOBN, PVSHCHCHBAF HTPDYOBNY. pupveoop h fp rtekhurechbaf tpdyfemy.

PYUEOSH CHBTSOP (S UEKYUBU PVTBEBAUSH L TPDYFEMSN) EUMY CHSHCHCHPUYFSHCHCHBEFE DPIUETEK, RPUFPSOOP ZPCHPTYFSH YN P FPN, UFP SING LTBUICHSHCHE Y KhNOSCHE. LBCDSCHK DEOSH, NPTSEFE DBTS LBCDSCHK YUBU LFP ZPCHPTYFSH. YuEN VPMSHYE CHSC LFP VKhDEFE ZPCHPTYFSH, FEN MHYUYE, Y CHBYB DPYUSH L ChPUENOBDGBFY ZPDBN UFBOEF TPLCHPK ZEOEYOPK, BOE UFETCHPK YOE PVSCHLOPCHEOOPC. CHEDSH FPMSHLP TPLCHBS TSEOEYOB PVTEYUEOB ABOUT UYUBUFSH. CHEDSh FPMSHLP TPLPCHBS TsEOEYOB NPTSEF VSHCHFSH UYUBUFMYCHPK.

TPDYFEMY, CHS IPFYFE, YUFPVSCH CHBY DPUETY VSHMY UYBUFMYCHSCHNY? fPZDB DEMBKFE CHUY PF UEVS ЪBCHYUSEEE, YUFPVSH L CHPUENOBDGBFY ZPDBN CHBY DECHPYULY RTECHTBFYMYUSH H TPLPCHSCHI TSEOEIO.

b BL, TPDYFEMY, LFP CHPURYFSCHCHBEF NBMSHYUYLPCH, HYUYFE UCHPYI the defects FPNH, YUFPVSCH Sing LPZDB CHSCHTPUMY, YULBMY UEVE URHFOYG RP TSYOY FPMSHLP TPLPCHSCHI TSEOEYO dv, dv LBLYI B OE-MYVP DTHZYI, EUMY LPOEYUOP IPFYFE, YUFPVSCH CHBY NBMSHYUYLY VSCHMY UYUBUFMYCHSCH.

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uFP FBLPE HNOSHCHK NHTSUYOB? OILPZDB OE BDKHNSCHCHBMYUSH OBD FFYN? b OBDP VSC. obdp, dbvschoe vyshchmp LBLYI YЪMYYOYI YMMAYIK ABOUT FFPF UYUЈF. with VShch NOPZP NPZH CHBN TBUULBBFSH P FBL OBSCCHCHBENPN NHTSULPN HNE. oP, OE VKhDEN P ZTHUFOPN, FEN VPMEE UFP Y FENB UFBFSHY OE LBUBEFUS NHTSYUYO. ULBTSH, RPLB, PDOP - HNOSHCHK NHTSUYOB FPF, LFP OBYЈM UCHPA TPLPCHHA TSEOEYOKH Y UDEMBM CHUY PF OEZP BCHYUSEEE, YUFPVSHCH POB UFBMB EZP TsEOPC Y PUFBMBUSh TPLPPK TsEOEYOPK. and CHUЈ.

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ChPF RPLB Y CHUЈ, UFP LBUBEFUS NHTSULPZP HNB.

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CHSHUYK HTPCHEOSH TPLCHPK ZEOEYOSCH - hnobs, ltbuychbs, pvtbpchboobs. ChPF LFP HCE TEDLPUFSH. bFBLHA TsEOEYOKH MAVPK NHTsyuyob ZPFPH PFDBFSH CHUY Y ZPFCH ABOUT CHUЈ. yNEOOP LFY TSEOEYOSCH HRTBCHMSAF NYTPN. yNEOOP LFY TSEOEYOSCH Y ZHPTNYTHAF PUOPCHOSHE OBRTBCHMEOYS H IS USUAL IN CHBNY TBCHYFYY.

FPF ZHBLF, UFP CHOEYOE NYTPN RTBCHSF NHTSYUOSCH, ZPCHPTYF FPMSHLP P FPN, UFP CHUY, UFP S ULBBM CHSCHIE - RTBCHDB Y RPDFCHETSDBEF CHUY NOPA ULBBOOPE.

at RTBDOYLPN hBU, dPTPZYE TSEOEYOSCH.

TSEMBA CHBN ЪDPTPCHSHS, LPNNETYUEULYI Y FCHPTYUEULYI KHUREIPCH.

at HCHBTSEOYEN, NYIBYM MELU.

RJYYFE NOE RP BDTEUKH: [email protected].
HRPNSOYFE, RPTsBMHKUFB, CH RYUSHNE YMY CH FEN RYUSHNB OBCHBOYE TBUUSCHMLY:
"TPLPChBS TsEOEYOB"

P.S.eUMMY chbn RPOTBCHYMUS CHSHCHHRUL, FP RTYYMYFE FFPF CHSHCHHRUL DTKHSHSN.